Wednesday, July 20, 2011

A Vogue Stunner

This here is a dress I made for a friend to wear to a formal event where the theme is  'A night at the races, French style.'  I immediately thought of Audrey Hepburn and did a mental scan of my most fabulous patterns and thought of Vogue 9264 from 1958.
Vogue 9426

Close up of bodice
It has been made in a gun metal grey satin, that is unlike any I've seen before, the inside of this fabric feels alot like cotton.
This dress is a sewing achievement for me, as I did a bunch of things I've never done before. Firstly a muslin of the bodice.
The lovely tie at the front is and the front sleeve is are both part of the front side piece, making a t shape.  It was tricky stopping and starting, above and below seams and clipping the curves in all the right places.  Eeek.
The sleeves have gussets, which totally blew my mind for a while.  I'm way too traumatised to go into details, but I got there in the end.
Because this a dress for a formal event, I didn't want any top stitching, so all my hems are hand stitched, including a horse hair braid in the skirt's hem.  I love the effect of the horse hair braid and can see myself using it alot.  I attempted to hand stitch the zip, but the satin looked bubbly and quite awful, so I did my first ever invisible zip.  I didn't get any pictures, but trust me, it looks invisible!
Dodgy hand stitched zip
I love it and so does Jo.  I will get more pictures of Jo all done up as she will look even more stunning with all the right accessories!!
I was keen to try the other version of this dress, so I did.  I have used a vintage linen with a Dalmatian spot and a contrasting tie in pink silk.  Only because I was a little short on spotty fabric, but I like the result.  Can you bear it when you don't have enough fabric?  I much preferred working in this fabric.  The dress is lovely to wear.  Love it also.
Vogue 9426

Close up of tie
Vogue 9426

Monday, July 11, 2011

Flannie and a V8

Here is my take on an Aussie Icon the "Flannie".  I found this awesome printed flannelette fabric and had to use it this winter.  I was limited by the length of the fabric and decided to use this 1970's Butterick 3714 A-line dress pattern. Totally cannot see them, but I'm wearing Japanese Tabby Boots, which always make me feel super fast.
Butterick 3714

The photos today were taken by the almost 3 year old ginger, which explains the angle.  Here is Gi Gi posing for me.  Such a doll.
On another note, I have been trying to be more organized and have sorted my patterns into their eras.  This is the result.  A newly moved tower of ports, filled with patterns.  Bar one, which has some fabric.

Wednesday, July 6, 2011

Playing Dress Ups with Libby's Frocks

I have Libby's Frocks.  They are mostly long 70's polyester numbers.  Some get it right and Jo had first dibs on most of them ( I will have to get some photos), and some are fun, but ghastly.
This is my favourite dress that typifies the style of the day.  Italian made, it looks as though it has never been worn.  The colours are amazing and the drop waist fit is very flattering.  The first few photos are keepers, some of the others are for the dress up box and others I may make into blouses or skirts.
Only polyester number that I will keep. 

I love this skirt.

A two piece, I think I will shorten the hem.

A kaftan, to cover up at the beach.
I was disappointed these next frocks were mostly polyester, as I made a vow years ago to avoid the stuff.  In Queensland's heat it is not worth the sweat.  I'm all for suffering for style, polyester is a new level though.
Moon Child, 70's made in India, super high waisted skirt and a very blowsy blouse.

super split

Love the print,hate the style

In two minds about this, love the style

I wish this was cotton.

A new level of polyester, quilted like a dressing gown.

This is almost good, but polyester.

No good going on here.

A 3 piece.
India in the 70's, the embroidery is lovely.

Fun!  New favourite in the dress ups

I may wear this to do the school drop off.
There you have it folks.  I think I need to work on my poses.  Let me know if you see any potential.  And am I alone in my dislike of polyester?
Here is how I started the day.  I better go feign interest in the State of Origin!!!

Thursday, June 30, 2011

Girl In a Floppy Hat

Earlier this week folks, I finished a screenprint.  Quite an achievement for moi, I have printed in dribs and drabs since having babies.  But now I have the taste for it.  I hope to crank out a number of prints and have a little exhibition in the near future.   I forgot how exciting it was to lay the colours, upon colours and watch the picture come alive.  Sigh.
I had the fore thought to document the process, all but one colour ( I think).
This print was screenprinted on wallpaper which proved to be quite annoying as it kept wanting to roll up upon itself, it shrunk a little after the first colour and I had to wait days between colours as the ink did not want to dry.  Anyhow, here is most of the colours, layer upon layer, for you viewing pleasure.
white

grey

flesh

pink

green

brown
missed red brown, key image in black.



Monday, June 27, 2011

Libby's Collection......

I went into a dark damp cave that belongs to a woman who has collected treasure for 70 years.  I was in awe.  The smell was exciting.
Hand Painted Japanese Kites


Best Kitchen Ever seen.

My favourite, the colours are amazing.
There was treasure on every wall, in every corner, it reach out to me and beckoned for me to explore all it had to offer.  I am extremely jealous that my cousin in law lives in this house and gets to explore it's secrets everyday.  She gets to delve into Libby's mind to hear of her adventures. Sigh.
When Libby was a teenager her mother encouraged her to learn the domestic duties that were expected of young girls.  Libby was not interested and her father encouraged her education.  She studied at Summerville House and met other girls like herself.  Girls that wanted adventure.

A statue from a now defunct Buddhist temple
Libby went on to be a teacher, then the first woman High School Principal in Queensland.  She later left that career and travelled to Japan, learned the language and her specialty field became Japanese children's stories.  She started to collect Asian artifacts, long before it came chic.  Libby travelled to many other Asian countries collecting Buddha statues from temples that have since been torn down.  Temple doors, hand painted Mexican artifacts.   It is mind bogglingly beautiful.
A small section of her library and a great chair



A 1930's tapestry
Lesbia, or Libby, as I know her has only ever let a few people into her render clad 1930's Queenslander home.  This was the first time she has let treasure leave with someone.  Her house is dark, there is not a wall that is not covered in pictures, there are books everywhere.  I feel supremely lucky to have been let into this world and to have been allowed to take things home and give them a new life and a  new story.
A 1970's wooden Japanese doll

A few of the 100 soldiers and bricks from the demolition of the Ascot cinemas.

Upstairs was amazing.  Downstairs was mad.  Books everywhere.  I founds art magazines from the late 1800's.  I felt awful touching them with my dusty fingertips and made Jo put them somewhere high and dry.  Some books looked ancient.  One title "Dante's Decent into Hell", was massive, spooky and ancient.  Apparently Libby sold some art works to buy it.  Oh it gave me chills.
I was allowed to go through massive piles of home decorating and fashion magazines and here is a taste of what I bought home.
McCall's 1936 pattern magazine

Vogue pattern books from the 60's


A pile of mostly 60's Vogues

A pile of Harper's Bazaar from the 60's


Fashion Books

As well a all the inspiring books and magazines I got the singer sewing machine Libby's Mother bought her and Libby never used.  She is a beauty, so neat and inconspicuous, folding into a little table.  Ah, I love it.

 Next weekend Jo and Libby will go through her many trunks and hunt down all her fabulous dresses from bygone decades, for me!
Stella loved the books and all the curiosities as well and came home with a few Roald Dahl books that she doesn't have in her collection yet.

What an interesting woman and an interesting life and what a mammoth story her collection tells.
A portrait of Libby as a young woman by Margaret Ollie.